Archive for the ‘design’ Category

Some work endures…

Tuesday, September 2nd, 2008

EcoTimber LogoMaria McLaughlin emailed me an article from today’s Chronicle about EcoTimber. Nice to see the logo I designed sixteen years ago remains basically the same. So much of my work is completely ephemeral: a presentation that gets seen onscreen for one live event and then is forgotten forever. The EcoTimber brand has outlasted the participation of the company founders. I’m also glad that Jason, Aaron and Eugene went with EcoTimber rather than “Arbus.”

EcoTimber sources sustainably harvested woods for floors, in case you know of anyone remodeling a house…

 

Sarcasm Isolated

Tuesday, June 3rd, 2008

Magnetic resonance scan of sarcasm angel.

Perhaps there’s something to the idea that designers are more prone to sarcasm than the average person. According to Katherine P. Rankin’s new study of Alzheimer’s patients, the part of the brain we use to appreciate sarcasm is not  in the left brain where most of us process our primary language, but in the right hemisphere. As explained in the New York Times:

…the magnetic resonance scans revealed that the part of the brain lost among those who failed to perceive sarcasm was not in the left hemisphere of the brain, which specializes in language and social interactions, but in a part of the right hemisphere previously identified as important only to detecting contextual background changes in visual tests.

15 seconds of fame

Friday, December 14th, 2007

If I am to be forgotten for anything, perhaps it should be my brief tenure as the J. Walter Thompson ad agency’s first “webmaster”.

The Principles of Uncertainty (now free of charge)

Tuesday, September 25th, 2007

I must have missed the memoThe Principles of Uncertainty book cover. To my great pleasure, I discovered today that the New York Times has recently made access to their archives free of charge. In addition they’ve abolished their irritating Times Select experiment, where certain columnists and content was offered for a fee. I hope that this change proves to be a profitable one for them. I think it will. I think that institutions like the Times must learn to deliver their service free of tiered corrals of “premium” content. My intuition is that the more obscure that information becomes, the less commercial value it will retain over time. Of course not all information is like this. But particularly for art and opinion, the value comes in sharing the experience.A perfect example is the guest blog by Maira Kalman called The Principles of Uncertainty, which was previously only available to Times Select subscribers. Enjoy it now for free online. Or wait a few weeks and buy the book.

Watch out for that diamond sign

Tuesday, June 12th, 2007

diamond signDonald E. Knuth, Professor Emeritus of The Art of Computer Programming at Stanford University, maintains one of the homelier homepages on the web. But he has a refined eye for design. I’m fascinated by his photographic collection of diamond road signs. Knuth is known for attention to minutia. He invented TeX a system for typesetting and Metafont a format for creating and encoding typefaces on computers. Perhaps it’s his eye for typographical detail that drew his eye to the distinctiveness to be found in common road signs.

Dean Allen thinking clearly again

Thursday, April 13th, 2006

Over at A List Apart, I ran across an archived article by Dean Allen published back in November of 2001. Dean is an interesting character with a keen insight into how communication design works. His critique of Edward Tufte’s rant against PowerPoint is what first got me listening. He created Textpattern, a PHP-based content management system for websites. Anyway his thoughts titled Reading Design ring refreshingly true to someone who makes a living trying to wring clarity from OPP (Other People’s Powerpoint).

Dean Allen on Tufte

Wednesday, November 24th, 2004

The Cognitive Style of PowerPoint, 24 self-covered pages to tide us over until Tufte’s next book, Beautiful Evidence, looks to be similarly unlikely to budge too many people from bad design habits, like the millions now working up presentations in PowerPoint (AutoContent is just too killer an app, and don’t forget WordArt). But, as a hilarious collection of pot-shots at the ludicrous meatgrinder of ideas that is PowerPoint, it is one satisfying read. The data is of course unimpeachable, and the examples are exactly right, but one wishes the key points were presented in a breezier style, like, oh, a bulleted list, with some lively colours and graphics. Ahem.  

Dean Allen pretty much echoes my thoughts on the design philosphy of Edward Tufte. Specifically, I agree that while Tufte is absolutely right about how to present data clearly in a bar chart, and he does a great job of elegant book design, when he rants about the horrors of Powerpoint, he misses a few essential points. Powerpoint can be employed extremely effectively to compliment a live presentation. Autocontent can be turned off. WordArt can be eschewed. Default templates, color schemes and fonts can be reconfigured and suddendly Powerpoint is not such a horrible tool. (One may still cringe at the application’s inability to properly kern text, though even this limitation has been mitigated on the Mac through OS-X’s Quartz text rendering.)

Effective text-only presentations

Tuesday, August 31st, 2004

Lawrence Lessig’s presentation on the history and evolution of copyright law is an excellent example of simple but effective text used to support a speech. There are no fancy charts or clipart. The words on screen simply provide focus to what is being spoken, while judiciously chosen images –usually one per screen– effectively evoke what words cannot. This online version requires the Flash player… http://randomfoo.net/oscon/2002/lessig/